Incredibly evocative paper sculptures by Fernando Castillo.
"My choice of paper cutting as a vehicle for this exploration of our changing perception of nature is based on its accessibility and simplicity as a medium. The transformation of a banal, quotidian material into something visually extraordinary parallels and echoes the radical changes in our vision of the familiar world that science engenders.
But a recurrent theme in my work is the limitations of science when confronted by the vast scale and complexity of nature. Science's goal of containing and defining nature is constantly subverted and fractured by the sheer volume and variety of data that needs to be observed, analysed and classified. This is figured in the excessive detail that characterizes my work as I attempt to overwhelm the eye through the scale and volume of what I depict." Rogan Brown


A house form is high in the visual vocabulary of Patti Roberts-Pizzuto. Patti's works are calm, created over time layering papers with painting and hand stitching.



Mathilde Roussel's Muse sculptures, made from paper and glue, explore the way we imperceptibly change every day as if we were changing skin like a snake. Our skins flake away and so unlike in Mathilde's sculpture we are not left with an outer casing that we have shed. Mathilde's sculptures are an interpretation of a skin used, a trace of passing time and a memory.




Lulu Allison makes delicate, transient pieces of work, cut from newspaper crossing headlines, adverts and features that are themselves transient in our consciousness." ...Most of my work still lies with the unfixed, such as works in newspaper put up in the wild, town or country. They last a short time, a temporary intervention in spaces decorated by sprayed graffiti, spilled paint, decay, the slow changing forms of plants."

