Showing posts with label Alice in Wonderland. Show all posts
Showing posts with label Alice in Wonderland. Show all posts

Monday, 25 March 2024

DeLoss McGraw II

 


Images from DeLoss McGraw's award winning interpretation of 'Alice in Wonderland'. New York: Harper-Collins, 2001.

DeLoss McGraw’s illustrations have deep rich vivid colour, that perfectly capture the emotional content 
of Alice’s encounters with the residents of Wonderland.








Tuesday, 4 September 2018

John Vernon Lord II




Again from The House of Illustrations current exhibition; John Vernon Lord illustrating Carroll and Joyce which is on until November 4th.


"I wanted to illustrate the books according to a notion of Alice's thoughts and views of the world, he says. You rarely see yourself in dreams, indeed you rarely see yourself at all! And I wanted Alice to be somewhat disembodied while she lay asleep among the field of daisies in her dream-like state. I thought doing without Alice would enable the reader to see the story with fresh eyes." John Vernon Lord

"There is hardly anything new to be said about Lewis Carroll’s two ‘Alice’ books. So much has been written about them. Their contents have been probed by the scalpels of psychoanalysts, literary theorists, annotators, enthusiasts and the journalists. Perhaps I should include illustrators among this group, for it is the illustrator’s duty to get to grips with the text and thus make a visual commentary upon it.
Readers of the text and viewers of the illustrations also make a book their own. Each one of us interprets stories and pictures in our own way and each one of us is unique. . . . [But] I think we have to be careful not to look for too many possible meanings that we might think may be lurking within the text of Carroll’s Alice books. It is very tempting to do so and many writers have done just that, sometimes disturbingly, often without evidence, and sometimes in a most delightfully illuminating way." John Vernon Lord


Wednesday, 29 August 2018

Charles Blackman


A further loss to Australian art was the death of Charles Blackman (1928-2018) on August 20th. Mirka and Georges Mora had hosted his first exhibition in their living room in 1953 and launched his career. Charles was born in Sydney one of four siblings. He left school at age 13 and worked initially as an illustrator on the Sydney Sun newspaper while attending night classes at East Sydney Technical College.

Charles had a tumultuous love life; he married writer Barbara Patterson, in 1951 and together they had three children; Auguste, Christabel and Barnaby, before they divorced in 1978. In 1979 he married Genevieve de Couvreur with whom he had two children, Beatrice and Felicien before they divorced in 1987. In 1989 he married Victoria Bower, with whom he had a son, Axiom.

Charles Blackmans work is darkly abstract and surreal, he is best known for his series of 'Alice in Wonderland' and 'School Girls'. 'Alice in wonderland' became a theme after Barbara his first wife's sight began to deteriorate, they would listen to a talking book version of the story and Charles would then paint illustrations of the text he had heard. He painted approximately forty three paintings of this subject during his wife's first pregnancy. He had never had books as a child and had never heard the story or seen any illustrations for it.
"I was absolutely thrilled to bits with it, it seemed to sum up for me at that particular moment my feelings towards surrealism, and that anything could happen ... The world is a very magical and possible place for all one's dreams and feelings." Charles Blackman





Tuesday, 17 May 2016

"We are all mad here"



Above the White Rabbit, Below, The Caterpillar 


Below: Alice


I have been interpreting 'Alice in wonderland through bird poo making tiny adjustments with photoshop to achieve more of a likeness, hope I find a cheshire cat soon to add to this collection.

Friday, 18 September 2015

Jay-Hee Kim





Still in this year of 'Alice in Wonderland' celebrations I am discovering wonderful new interpretations. I love the colour the joyful messiness and the beautiful haphazard compositions that Jay-Hee Kim has applied to Louis Carroll's topsy, turvy dream world.

Monday, 14 September 2015

Ji-Seung Kook



Ji-Seung Kook is a Korean illustrator I love these mixed media collages, their brightness and energy, especially the wonderful interpretation of Alice in Wonderland below. 

Wednesday, 29 April 2015

Andrea D'Aquino I







"Excited" is too small a word to describe my feelings about this project that miraculously found me. For the last few months, I've been working on a freshly-illustrated version of Lewis Carroll's "Alice's Adventures in Wonderland". (An almost preposterous concept, for any artist - I'll be the first to say). It'll be published in Sept. 2015, this is simply a sneak peak at the dummy copy. I'll say much more about it, later in the year." Andrea D'Aquino 
A tiny glimpse of Andrea D'Aquino's version of Alice in Wonderland, to be published in September by Rockport books. I really love the 'surprise' statement excerpts on the page ends and the loose, abstract, splashy style of the illustrations in paint, combined with Andrea's characteristic use of collage. I'm really looking forward to seeing more.

Friday, 24 April 2015

Suzy Lee







A surreal and quite scary monochrome interpretation of 'Alice in Wonderland' by Suzy Lee was originally published in Italy in 2002. This book has a dramatic, theatrical feeling created using a combination of photographs, collage and illustration. Masks, mirrors and smoke screens, it looks like a magic show where the audience will be persuaded to believing many strange things. This book reminds me of Sarah Moon's haunting interpretation of Little Red Riding Hood in it's frightening altered reality.
"The book 'Alice in Wonderland' was made when I was staying in London few years ago. During my staying in London, I happened to see Lewis Carroll’s manuscript of ‘Alice’s Adventures in Wonderland’ and John Tenniel’s original illustrations at the British Library, and this made me reread this all-time favorite classic. Rereading the Alice book as a grown-up reader was very intriguing: the nightmarish atmosphere and eccentric characters of the story fascinated me. Lewis Carroll’s Alice book is such an abundant resource, which evokes many issues in multifarious ways."
 "I tried to produce a book that reflects upon subject matters like constructed illusions and realities and the dream-within-a-dream structure, which contains a circular regression and self-reflexivity. Like the epitaph of Lewis Carroll, Is all our life, then, but a dream?, these themes have been one of the eternal pending questions for us, and especially for the artists, who, in my opinion, are dealing with visual matters. I may say that Lewis Caroll’s book appealed to me in terms of illuminating the relationship between illusion and reality." Suzie Lee

Tuesday, 21 April 2015

Beatriz Martin Terceño I



Spanish illustrator Beatriz Martin Terceño's sleepy dream like pencil, wash and collage illustrations of Alice In Wonderland. 
I keep thinking I have finished with 'Alice In Wonderland' but in this books birthday year it keeps coming back.

Wednesday, 15 April 2015

Emanuele Luzzati II








Emanuele Luzzati's (1921-2007) Alice in Wonderland is the last of my Alice's from Bologna. Emanuele was a Painter, illustrator, animator and theatre designer. His Alice in Wonderland illustrations are loose and colourful with interesting use of collage and print.

Tuesday, 14 April 2015

Lisbeth Zwerger








Also at Bologna I had the fortune to be able to see Lisbeth Zwerger's interpretation of 'Alice in Wonderland' from 1999. This is a much more serious, contemplative and for me, disturbing version of the story.
I think this is mainly due to Alice's lack of expression. Because of the very calm, interpretation in dreamy watercolour washes, this work is very distant and removed from the viewer. Making you feel just like you are in a dream, a silent observer unable to intervene.

Monday, 13 April 2015

Anne Herbauts II






Exhibited at Bologna as part of the celebration of Alice in Wonderland's 150 birthday were Anne Herbauts wonderful interpretations of  Alice's Wonderland. Which are full of expressive drawing, combined with the texture and surprise of print and mixed media to add visual poetry and intrigue.
In Anne's interpretation you want to dive down the rabbit hole and explore with Alice.