Showing posts with label Endpapers. Show all posts
Showing posts with label Endpapers. Show all posts

Friday, 6 September 2024

Endpaper Challenge Day 5: Nursery Rhyme

 

To make my nursery rhyme endpaper I disappeared down multiple worm holes, and ended up at mother goose, but I wanted her to be a happy, non-threatening glorious free woman, and I suppose to this end the design includes her chimney stack hat blowing away. 

                                        Above: Mary Parry, of Llanfechell.

The central egg is gold (I love my glitter watercolours) and the geese have the nursery rhyme books in their beaks. I put down a thick base of emulsion paint as I like to work on this surface and it liberates the paper from it's precious newness. 



Mother Goose


Above: Off With Mother Goose Mabel Louise Attwell 1927


Above and Below: Mabel Lucie Attwell, Mother Goose 1909. 


Mother Goose has always been an unsettling character to me and researching her now, she is usually depicted as very witchy, often in a basket, with a broom stick and even at times a black cat. However I feel she is far more appealing than most of the nursery rhymes that she nurtured in young children for they are often extremely unsavoury in their history and message.  

Above and below




Above: 'The Original Mother Goose Melodies', with Silhouette Illustrations by J. F. Goodridge, 1879


Above 1930's puzzle map of Mother Goose.


Above and below: Mother Goose from a 1860's chap book.


Above:Antique Vintage Gems From Mother Goose Rhymes Chimes And Jingles 1898 

Above cover, Below: endpaper from Mother Goose Melodies & Fairy Tales,1886.

Below: 'Mother Goose Melodies Set to Music', illustrated by Brothers Dalziel, 1873. No mother goose here but what a fab owl/fox character.



Above: Mother Goose Melodies Childrens Book The Platt & Peck Company Colour Illustrations By Dudley Robert Ambrose (1867-1951),1890's


Above: Mother Goose, Illustrated by Jessie Willcox Smith, 1922


Above: Old Mother Goose Illustration by Frederick Richardson 1921.


Above: 'The Mother Goose Parade', Cut-outs by Anita del Campi, 1914.


Above: Mother Goose illustrated by James McCracken (1875 - 1967), 1930.


Above: 'Mother Goose Land' Neel Bate, 1945.


Above: Rear cover of  London: Dean’s Rag Book Co. Ltd, . illustrated in colour by Laura Ethel Larcombe. 1915-1919.


Above: Endpapers from 'Uncle Wiggily and Mother Goose' by Roger Garis, illustrated by Edward Bloomfield, 1916.

Thursday, 5 September 2024

Endpaper Challenge Day 4: Butterfly


Day four of the endpaper challenge on instagram: Above my first offering squeeged paint, with black ink drawing. But then I wanted to do some more . . . I do morn the loss of knowledge about the natural world, and so I wanted the butterflies to be only slightly anthropomorphised and with lots of realistic detail. 


Above a Short Tailed Blue.


Above: a raggedy Comma, below a bling Peacock.



Then I just couldn't stop. 




Wednesday, 4 September 2024

Endpaper Challenge Day 3: Fairytale; Snow Queen

 


I made far too many blue endpapers using pastepaper techniques and this one I made using cut glass to emboss into the blue paste and then eventually over printed the cut glass items using white paste paint. My Snow Queen is not a happy queen, there is no evil allure, but I like her mean tired attitude. 




Above, original white paste over blue base layer, Below with printed white paste paint.




Endpaper Challenge Day 3: Fairytale; Blue Beard

 

So I wanted to try paste paper in my obsession with endpapers that has occupied many weeks of this blog. Paste papers had intrigued me as I had never seen or heard of them before this research began. I made paste with plain flour, 1 cup to 4 cups of water, heated on the hob whilst stiring and then left it to go cold before combining it with a variety of paints. Having been a printmaker at various stages of my life this technique is very like monoprinting, it is a similar process using the same types of tools and mark making  and I loved the process and the results.  Having made the paste papers and let them dry, I then worked them into the subjects of the prompts. Today being 'Fairytale I made blue beard, (the combs seemed to suit that brief ) and then used white paste paint to add the details.  Below it is in it's correct orientation with the blood stained key on the final endpaper.






Tuesday, 3 September 2024

Endpaper Challenge Day 2: Gnomes


 

How can I say this . . . I don't like gnomes, specifically garden gnomes which litter the place, cluster together in ever burgeoning populations and generally accompany a whole load of tat and clutter, so gnomes as a challenge was BIG. However after some research I was chuckling away drawing gnomes for 'The Gnomes Pet Shop' a book of mini beast care. 


I particularly enjoyed drawing my daughter as a female gnome riding a slug, she particularly didn't and asked me if I was pleased with myself . . . which I had to admit 'yes' to.


The beetle man above is based on a dear friend and neighbour, and the worm walking gnome, well I love the worms happy wagging tail. 

Monday, 2 September 2024

Endpapers of day one

 


Above and Below: Endpapers featuring great kitchen tools by Milena Walter


It has been a very busy first day of #endlessendpapers challenge facilitated and invented by Monty Lee. Day one was to design endpapers for 'A cook book for Kids', here are just a sample of the amazing creativity being produced.


Above: Biscuit endpapers by カワダミドリ


Above: a hungry monster by Katrin Meiller


Above: A recipe by Kate 


Above and Below: Delft style endpapers by co-host Katya Tabakh



Above: Merle Goll


Above: Going into battle mode Agnieszka Pachlewska


Above: Endpaper by Susanne Vosgerau


Above: Endpaper by Anastasia


Above: Isobel Ross and her wonderful library card additions