Saturday, 15 March 2014

Gerald Rose and Edward Lear III

A lovely illustration of a nest of fledglings, very economical with detail and perfectly capturing those hungry mouths by Gerald Rose, from The Dong with a Luminous Nose and Other Poems by Edward Lear 1969.
As the birds are busying around because of the arrival of spring in the Northern hemisphere, a timely reminder to pop out some nesting materials for them off cuts of wool, ect and give them a hand. Have a great weekend.

Friday, 14 March 2014

Gerald Rose and Edward Lear II



The Owl and the Pussy Cat illustrations from The Dong with a Luminous Nose and Other Poems by Edward Lear 1969 illustrated by Gerald Rose, published by Faber and Faber.

Gerald Rose and Edward Lear I


Gerald Rose and Edward Lear, what a wonderful combination. This is the very strange cover illustration for Edward Lear's The Dong With a Luminous Nose and other poems 1969.

Thursday, 13 March 2014

Edward Goss II




Edward Goss's sketch books are really textural bundles often  bound in coloured string and thread.  Full of secrets and intrigue, beautiful mysteries.

Tuesday, 11 March 2014

Monday, 10 March 2014

Vicky Yang



Vicky Yang is an illustrator, graphic designer and animator. Here are some pages of her book Hmmph about things that upset her when she was younger, the top image is about swallowing a seed and the bottom one about an annoying brother laughing at her misfortune.

Sunday, 9 March 2014

Wangzhe Zhang I



Beautiful, shimmering layers of detail are assimilated into these delicate illustrations by Wangzhe Zhang who completed her MA at Camberwell School of Art last year.

Saturday, 8 March 2014

Maddalena Gerli I




Italian illustrator Maddalena Gerli's illustrations for the book Sottosopra 'Upside Down'. Maddalena divides the picture beautifully with areas of colour, they are bold and simple but with great complex details that keep you interested time after time.

Friday, 7 March 2014

Juxta

This was a strange juxtaposition of pins on pinterest some weeks ago. 
I love it when you find these odd combinations of images that work in different ways from how they were originally intended. But then it is the way that you read, misread or interpret visual information that is really important and I do find that misreading it is often even more creatively productive than correctly interpreting it, because though you see your mistake you see the possibility to.

Thursday, 6 March 2014